With eerie calm, Penelope absorbs Xenakis’s electronic masterpiece Bohor (1962), which blends Laotian mouth-organ, the clattering of Iraqi and Hindu jewelry, Byzantine chant, and piano sounds into a soundscape of bone-chilling beauty.
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With eerie calm, Penelope absorbs Xenakis’s electronic masterpiece Bohor (1962), which blends Laotian mouth-organ, the clattering of Iraqi and Hindu jewelry, Byzantine chant, and piano sounds into a soundscape of bone-chilling beauty.
