Last month, at the request of El País, Peter Sellars wrote a tribute to the late Gerard Mortier. Here, courtesy of the author, is the English text.
Gerard Mortier was a mercurial operatic visionary who transformed the art form—not with a particular production or body of work, but with an attitude. Wherever Gerard was and whatever he was doing, you knew it would be exciting. His imprimatur guaranteed challenge, engagement, pleasure, and the kind of adventure informed and made possible by profound conviction and deep connoisseurship.
None of us who knew and worked with Gerard will ever be the same. His visionary, always practical, and constantly generous presence enlivened each conversation, each rehearsal, each project. Perhaps more amazingly, many of Gerard’s rivals, critics, and adversaries will never be the same either. They also did what they did and are doing what they are doing in response to Gerard’s vision, leadership, and permanent challenge. Gerard’s particular brilliance is to be equally vital and ultimately influential to his friends and to his enemies.