The Minnesota Orchestra, whose musicians have been locked out since the beginning of the season, is veering toward catastrophe. A number of players have departed for other ensembles; the orchestra's use of state funds has raised serious questions and is under review; powerful board members have created a fraught atmosphere; and, as Graydon Royce reports, Osmo Vänskä, Minnesota's brilliant music director, is threatening to resign if the situation is not resolved soon. In his latest piece, Royce alludes to a column I wrote in 2010, in which I said, "For the duration of the evening of March 1st, the Minnesota Orchestra sounded, to my ears, like the greatest orchestra in the world." The idea was not to issue a hard-and-fast superlative but to undercut the entire business of ranking orchestras. Still, I stand by the statement, at least as far as the musicians themselves are concerned. As for the board and the management, I am tempted to apply a superlative of a quite different kind. I'll simply say this: do the board and management actually wish to destroy the Minnesota Orchestra? So far, their actions seem to be moving steadily toward that end.