The following concerts might be great.
Nov. 16: Brenda Patterson, a mezzo I've heard good things about, sings an offbeat program at Tully Hall, including Haydn's Arianna a Naxos cantata, Crumb's Apparition, some Ives songs, and the world premiere of Edward Bilous' Night of the Dark Moon. More about Patterson here.
Nov. 17: Three rival new-music concerts tonight. American Composers Orchestra presents a typically all-over program, everything from Morton Feldman to Sondheim to Randall Woolf's new work Women at an Exhibition (with film by Mary Harron and John C. Walsh). Also, Wet Ink is presenting another show at Bowery Poetry Club, again with the Zs. I went to Wet Ink back in September and was bewitched by the Zs' collective composition Bump, which is now available on Planaria Records. (You can listen to a sample here.) And the freewheeling postsomething double-bassist / composer Stefano Scodanibbio plays at Columbia's Italian Academy.
Nov. 18: Soheil Nasseri plays Beethoven sonatas at Weill Hall. Nasseri is an exceptionally elegant pianist who also has a serious commitment to music education, giving morning mini-recitals at schools all around New York.
Nov. 19: Joel Sachs leads another of his famous "Who dat?" programs with the New Juilliard Ensemble. Works of Josef Bardanashvili, Stefano Gervasoni, Wei-Chieh Lin, Paul Desenne, and Virko Baley. Alice Tully Hall, 8PM, free (but you have to pick up tickets at the Juilliard Box Office).
Nov. 20: Because of my Evening of Conversation with Sonic Youth down in DC, I'll be sadly missing Kremerata Baltica's all-Shostakovich concert at Carnegie, which includes the crushingly powerful Symphony No. 14. This will be great.
Nov. 21: The first of two Bartok programs by the Orion Quartet, at the Chamber Music Society at Lincoln Center. $72 for both concerts is a good deal. Bartok bangs.